Duality is the idea that two forces, in opposition to each other, can complement and generate a sense of balance. I like to identify the dualities that exist in nature: mind and matter, chaos and order, individuals and groupings, two-dimensional and three-dimensional space, curves and angles, pushing and pulling. These dualistic relationships are represented throughout my ceramic pieces.

My art, typically, consists of sculptural vessels that can be hand-built or thrown and are often put into an installation format. I focus on repetition of form and variation of texture or surface design. For me, the repetition of making similar objects is a meditative process.

Inspiration for my ceramic pieces comes from the natural world. My work draws attention to the diversity and similarities of organic objects that are often overlooked and unappreciated. I feel that my recreation and interpretation of these objects forces viewers to recognize and appreciate the vast array or organisms that exist on our planet.

Alternative firing methods, such as raku and saggar, create random surface patterns that imitate the spontaneity of life. I love the suspense of not knowing what the final product will look like. Zen Buddhists are known for their emphasis on the natural world, and their belief that beauty is created from simplicity. I love working with clay, because the medium incorporates the four elements of the natural world: earth, air, fire, and water. I feel an intimacy with my environment when I am making my pieces.

I am intrigued with the idea that two opposites can work together to achieve perfection, the way that growth and decay in nature are essential to the world’s existence. I strive to mimic nature in my art by utilizing dualisms to create a balanced and unified whole.